Thoughts on an exhibition.
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My name is Kara Pecknold and this space hosts a plethora of ideas and opinions about the role of design for social, cultural and economic impact — here, there and everywhere.
I have a graduate degree from Emily Carr University of Art + Design and my research investigated how a designer could adapt his or her approach when working with the underserved to encourage both dialogue and collaboration in the design process when language or technology were not shared.
It also considered the presence and absence of the designer during the process, and was framed around the ideas of governance, in which people are given access to spaces where they can share ideas, help each other and collaboratively build a new body of common knowledge (Thank you, Ezio Manzini). If you would like to see/read more, here are the finer details.
Nowadays, I work as a Senior Design Researcher at frog.
Publications:
Case study in IDEO's Human-Centered Design Toolkit.
Dialogue Through Design: Visual Communication Across the Cultural Divide.
My name is Kara Pecknold and this space hosts a plethora of ideas and opinions about the role of design for social, cultural and economic impact — here, there and everywhere.
I have a graduate degree from Emily Carr University of Art + Design and my research investigated how a designer could adapt his or her approach when working with the underserved to encourage both dialogue and collaboration in the design process when language or technology were not shared.
It also considered the presence and absence of the designer during the process, and was framed around the ideas of governance, in which people are given access to spaces where they can share ideas, help each other and collaboratively build a new body of common knowledge (Thank you, Ezio Manzini). If you would like to see/read more, here are the finer details.
Nowadays, I work as a Senior Design Researcher at frog.
Publications:
Case study in IDEO's Human-Centered Design Toolkit.
Dialogue Through Design: Visual Communication Across the Cultural Divide.
Noting
- 5Ds: Touchpoints for Human Centered Strategy
- Acumen
- AIGA Center for Cross-Cultural Design
- Ambidextrous Magazine
- Art Center DesignMatters
- Catapult Design
- CDRN
- Color Blind Project
- Core77
- Design Aid
- Design By Nature
- Design Can Change
- Design Continuum
- Design Council UK
- Design For Development
- Design For Social Impact
- Design for the Other 90%
- Design Ignites Change
- Design In Kind
- Design Notes
- Design21
- Designers Without Borders
- Designing Interactions
- ECUAD's Current Research Journal
- Emily Carr University of Art and Design
- Emotionally Vague
- Fuad-Luke (Co-design)
- GDC
- GOOD Magazine
- HCD Toolkit
- Humantific
- IDEO
- LeNS: Learning Network on Sustainability
- Lovely As A Tree
- Lucy Orta
- Make Tools
- Mulago Foundation
- Natural Step
- NextD
- No Nonsense Guide to International Development
- o2
- OpenIDEO
- Pedagogy of the Oppressed
- Probes
- Project Diaspora
- Project H
- Project M
- Public Sphere Project
- Putting People First
- RED (Design Council)
- Rockefeller Foundation
- Rural Studio
- Stefan Sagmeister
- Step In
- Studio H
- Sustainable Design Portal
- The Center for Sustainable Design
- The Designers Accord
- The Story of Stuff
- Tree Hugger
- User-Centred Graphic Design
- Vikalpdesign
- Visual Complexity
- Visual Thesaurus
- Visual Understanding Environment
- Winterhouse
Blogroll
- Architectures of Control
- Boing Boing
- Change Order
- Debbie Millman
- Design Activism
- Design For India
- Design Influence
- Design Observer
- Design Thinking - IDEO
- Doors of Perception
- EMUDE
- Global Voices
- Green Vox
- I Am User Generated
- Jan Chipchase
- Mark Stokoe
- Mitch Stookey
- Sustainable Everyday (Manzini)
- Sustainable Innovations for Emerging Markets
- ThinkPublic
- Unbeige
- White African
- World Changing
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